Nikon D750 f/5.6 1/25s 150mm 100 ISO

“Thursday Morning, 9.30. On a summer’s day like this I lie in bed as if cradled in sweet arms. It makes one feel so indolent and languid. And when he sang, ‘The Linden Tree’ last time (I thought it so beautiful that I asked him to sing me a whole forest-full of linden trees), the lines on his face looked like old, age-old, tracks through a landscape as ancient as creation itself.”

(cited: E Hillesum, An Interrupted Life p. 115)

Ricoh GX100 f/3.5 1/760 10.5mm 80 ISO

In the video below Ibarionex (Candid Frame) discusses how fixed visual elements in a scene allow a photographer to find their compositionIn

…If we don’t have journalism, we don’t have democracy. ~Barbie Zelizer, director of Penn’s Center for Media at Risk

The fabric of press freedom in the US has been frayed and weakened by political stigmatisation of journalists and cries of “fake news”, but it risks much greater, and more permanent, damage from other forces, including harassment, detention and criminalisation. (cited: The Guardian The biggest risk to American journalism isn’t posed by Trump)

Nikon D750….Caution Blind Corner

In the context of this new world order of dramatic political, social, and unparalleled technological change, the role of media has never been more important, and it’s also never been more dangerous…Foreign reporters in war zones, as well as domestic reporters and journalists like me in war zones of our own here at home, are facing angry people and the threats of violence.” (cited: Multichannel Don Lemon: Role of Journalists Vitally Important in Today’s Divisive Political Environment.)

Who Will Write Our History

In November 1940, days after the Nazis sealed 450,000 Jews in the Warsaw Ghetto, a secret band of journalists, scholars and community leaders decided to fight back. Led by historian Emanuel Ringelblum and known by the code name Oyneg Shabes, this clandestine group vowed to defeat Nazi lies and propaganda not with guns or fists but with pen and paper. Now, for the first time, their story is told as a feature documentary. Written, produced and directed by Roberta Grossman and executive produced by Nancy Spielberg, Who Will Write Our History mixes the writings of the Oyneg Shabes archive with new interviews, rarely seen footage and stunning dramatizations to transport us inside the Ghetto and the lives of these courageous resistance fighters. They defied their murderous enemy with the ultimate weapon – the truth – and risked everything so that their archive would survive the war, even if they did not.

In the aging house,

crookedness of the door being straightened,

a spring-like winter day.

~Buson (Y Sawa & E Shiffert, Haiku Master Buson)


Walking on, walking on,

things wondered about — springtime,

where has it gone on too?

~Buson (Y Sawa & E Shiffert, Haiku Master Buson)

On the shortest path,

stepping through water to cross

in the summer rains.

~Buson (Y Sawa & E Shiffert, Haiku Master Buson)

No trail to follow

where the teacher has wandered off —

the end of autumn

~Buson (Y Sawa & E Shiffert, Haiku Master Buson)

and then… Vivaldi’s Four Seasons

An artistic journey through the seasons….a lens-artist’s challenge offered by Tina.