The images above were created through the use of multiple exposure, both within camera and through digital editing. This Double Exposure project was inspired by the belief that images give voice to the emotional pain of COVID across the globe. While this virus does not discriminate, the number of people who are most impacted during this time are those who live within impoverished communities—dense housing projects, reliance on public transportation, low income, limited access to medical care and sick leave, employment instability, and rates of non-communicable diseases and illness.  

The phoenix that may arise from the flames of inconsolable grief is an awareness of the inequality aggregation of these social and economic disparities exacerbates the adverse effects of all humanity.  

COVID-19 is not a pandemic. It is a syndemic.

Alon Goshen-Gottstein, (Coronaspection: Introspection I Tablet Magazine) is undertaking a project in which forty religious leaders are individually responding to seven questions during this time of global crisis.

Part 1 of this project includes: Rabbi Berel Lazar, Russia; Patriarch Sahag II Mashalian, Turkey; Swami Chidanand Saraswati, India

1. What have been your greatest challenges in dealing with the present Corona crisis?

2. Corona is bringing out a lot of fear in people. How does one deal with fear? What spiritual advice could you offer to people struggling with fear?

3. Corona has forced people into solitude. How should time be spent in solitude? Many people do not have experience and habits that would allow them to make the most of this opportunity. What advice could they be given?

4. Corona brings about deprivation. We are deprived of our freedom, of our habits. We lose things, and even more so- people we love. How does one deal with all forms of deprivation?

5. What does Corona teach us about our interconnectivity? What are spiritual applications that people can practice consciously?

6. Corona forces us into our own protective space, but it also calls us to solidarity. How to practice solidarity? What are teachings that support solidarity? What actions express solidarity? What can one do to express solidarity, even from within the confines of one’s home and protection?

7. Many people say the world will be different after this Corona crisis. What blessings do you see Corona bringing to the world? How can the world be different, for the better, following this crisis?

One of the most important conceptual threads that runs through the project is the recognition that for all its hardships, the coronavirus is in some way also a blessing. To uncover that blessing we may need the eyes of the other and the experience of another spiritual tradition and how it is able to find blessing even in hardship.

Skyscape photograph: Nikon D750 f/5.6 1/400s 300 mm 400 ISO edited in Capture One 20

Stay at Home Order … day 22 plus 14 seclusion retreat days

To see a dramatic visualization of the global spread of GOVID-19, click here.

Words by Mumon

When the sky is clear the sun appears,

When the earth is parched rain will fall.

He opened his heart fully and spoke out,

But it was useless to talk to pigs and fish. ~Mumon

(Cited: Trans: N Senzaki & P Reps, The Gateless Gate/Learning is not the Path)


Nikon D750 f/5.6 1/1250s 82mm 400 ISO

Continuing with my return to composition basics: The composition elements within this image are:

repeating patterns

leading and parallel lines


rule of thirds with points on right side of image leading into the image as well as human figure on the #3 point of the rule of thirds.

I chose to mute the colors as this image seemed to be a bit cluttered and black and white editing was a bit boring.

As always I appreciate constructive feedback…thanks for joining me on this learning journey. Patience seems to be fading across Mother Earth.

image and poem submitted in response to gc weekly prompts: vulnerability

secluded house–
even here, crowd-sick
spring mountain

~Issa (cited: www.haiku.guy)


The Story of Ming Lan (English Subtitles)

The Story of Ming Lan, based on the novel written by Guan Xin Ze Luan, follows the concubine-born 6th child of the Sheng household from her childhood into adulthood. Ming Lan first meets Gu Ting Ye, the 2nd son of the Gu Family, as his rival in a game of Touhu, but when she encounters him again in a time of need he goes to great lengths to help her. This dynamic plays out on a grander scale when they meet again as adults. Both Ming Lan and Ting Ye are unfavored children who suffer as a result of internal scheming in their households. Ming Lan adapts by learning to hide her talents, spirit, and intelligence, while Ting Ye, long painted as a scoundrel, decides to live recklessly. Yet they each have a rare gift of foresight. Through cunning schemes and daring endeavors, they both rise in position and work to obtain justice from those that have wronged them. Together they shape the new Emperor’s regime and work to sow and harvest a bright future

Editing photographs

Continuing with 30 day project, same lens camera wide open, that was included in an educational Thorsten von Overgaard Photography webinar.

Nikon D750 f/1.8 1/4000s 35mm 200 ISO

Exercising and meditating

How are you taking care of yourself during this time of the COVID-19 virus in which we are all encouraged to socially isolate and by doing so we are also caring for others?

Solitude… Frederick Leighton

Social isolation

4th day. All follow up medical appointments rescheduled.

Finished reading

Romain Gary’s The Life Before Us – Translated by Ralph Manheim.

“She explained about the place, it was what they call a dubbing studio. …it was wonderful to watch, because everything went into reverse. The dead came to life and backed into their old place in society. Somebody pressed a button and everything went the opposite direction. Cars went into reverse, dogs ran backwards, houses that had burned to the ground picked themselves up and put themselves together again before your eyes. …It was a magic world, I’ve never seen anything sweeter in all my stinking life. For a second I even saw Madame Rosa young and fresh and steady on her pins, and when I turned her back still further, she was prettier. It brought the tears to my eyes.

And then I had a real event. I can’t say I went back and saw my mother, but I saw myself sitting on the floor, and in front of me there were two legs with boots up to waist and leather mini-skirt, and I tried like mad to raise my eyes and see her face, I knew she was my mother, but it was too late, memories can’t raise their eyes. …” (pg. 77)

Editing photographs

of a socially isolated walk through Fossil Park inspired by photographers Christian Fletcher and Tony Hewitt as well as a 30 day project, same lens camera wide open, that was included in an educational Thorsten von Overgaard Photography webinar.

The image below was inspired by how Fletcher and Hewitt invited me to open myself to the beauty of Northwestern Colorado’s landscape by seeing compositional elements: leading lines, repetition, points of interest, complementary colors, and vanishing points.

fossil park

Nikon D750 f/1.8 1/4000s 35mm 200 ISO

A Journey in Composition, an ebook written by photographers Christian Fletcher and Tony Hewitt, outlines their travel across the western United States. The ebook covers fundamental aspects of composition, including color and interpreted composition techniques while paying homage to the techniques of the old masters – Stephen Shore and William Eggleston.

How are you taking care of yourself during this time of the COVID-19 virus in which we are all encouraged to socially isolate and by doing so we are also caring for others? Here is a very short video  showing how our individual action of staying home is what we can best do to alleviate global suffering.