My eye for me is a certain power of making contact with things, and not a screen on which they are projected … The other’s gaze transforms me into an object, and mine, him, only if both of us withdraw into the core of our thinking nature [left hemisphere], if we both make ourselves into an inhuman gaze, if each of us feels his actions to be not taken up as understood, but observed as if they were an insect’s. This is what happens, for instance, when I fall under the eyes of a stranger. But even then the objectification of each by the other’s gaze is felt as unbearable only because it takes the place of a possible communication.
~Maurice Merleau-Pontry (cited: Iain McGilchrist, The Master and his Emmissary, p.166)
As I began my editing of Robin’s raw image in Capture One, I also applied a keystone adjustment to the ferris wheel before cropping and moving into ON 1 Enhance Effects and then Color Efex Pro 2. While in Color Efex, I played around with their Detail Extractor, Tonal Contrast, Vintage, and Sunlight layers before ending with Polaroid Transfer to give it a holiday souvenir touch. I then finished the image with Photoshop’s dodging tool to lightly bring out the reflections in the water.