tethered to home...
“Sutcliffe rarely left Whitby [a port and resort community on the Yorkshire coast], where his portrait studio kept him busy, and said that he was ‘tethered for the greater part of each year by a chain, at most only a mile or two long.’ To most modern photographers this would seem a crippling restriction, but Sutcliffe gradually realized that it was an asset to him as a photographer since it forced him to concentrate on the transitory effects that could transform familiar scenes. …photographers should always aim for something more than ‘mere postcard records of facts.’ ‘By waiting and watching for accidental effects of fog, sunshine or cloud,’ he advised, ‘it is generally possible to get an original rendering of any place. If we only get what any one can get at any time, our labour is wasted; a mere record of facts should never satisfy us.”
cited: Frank Meadow Sutcliffe, The History of Photography Series, p 8
Me and my Nikon alongside the Cache la Poudre River … the river’s name refers to an incident in the 1820s when French trappers buried part of their gunpowder along the banks of the river during a snowstorm.
Images submitted in response to Slow Shutter Speed’s challenge: local vistas