Creative Composition in Street Photography – Part Two

For this week’s photo study, I decided to continue with Ian’s creative composition posts as they seem to be an ideal way to revisit basic elements of composition and explore how to incorporate them into street photography.  He begins the second positing with noting the importance of slowing down with intentional “seeing” as a foundation to finding the ideal background and good light and then deciding to or not to press the shutter.

via Creative Composition in Street Photography – Part Two

Photography is not what’s important. It’s seeing.
The camera, film, even pictures, are not important.
~Algimantas Kezys (cited: H Zehr, The Little Book of Contemplative Photography)

Setting the Stage, Timing the Steps (fishing)  Ian writes, “The key concept for this approach is to establish the static elements in your frame first (i.e. background and light), then patiently work to add interesting dynamic elements by moving close and far, exploring various angles, adjusting the camera’s settings, and finally with patience waiting for the person who fits into your story to walk on your stage.

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Frame within a Frame  Create a frame within the image through the use of doorways, windows, window displays, trees, or any object that creates a frame around your subject.

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Leading Lines  Drawing the viewer’s eye is an important compositional element  especially when lines converge toward each other and draw the eye to the subject.  I found that the gaze of both the man and the dog create an implied line as well as invite a story.

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Juxtaposition  Ian describes juxtaposition is where two adjacent objects appear to contrast with each other, as within the image below.   The person in the foreground leans to the left opening us to the elderly man in the midground who is leading left.  The Starbucks coffee cup in the center adds a social justice element as well as a contrast to both men.

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Perspective – create high-angle images by standing on stairs, platforms, balconies or low-angle photos by  getting close to the ground and shooting upwards.

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Scale  Images where the subject is dwarfed by the environment seems to be a way of introducing feeling into the image and drawing the eye to the person within the frame.

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Color  Color intermixed with light, shadows, and silhouettes have the potential to create unique photographs that nudge images away from the photojournalism and documentary genre.

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Reflections  Entire stories can be created through the layers that are created when photographing through glass.

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Light and Shadows  Using your exposure compensation to drop the exposure on the frame (which protects the highlights while creating wonderful deep shadows) will create amazing interactions of shadows, light, and silhouettes.

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The Candid Frame  Within “Less than Obvious”, Ibarionex encourages us to open ourselves to “seeing” the world’s amazing detail and “being” intentional before we press the shutter.

I hope you find Ian’s educational blog and the Candid Frame to be an invaluable sources of information as well as doorways to a world of creative possibilities.  I’m looking forward to seeing your creative work as well as reading your throughs about the use of basic composition elements into street photograph.  Let’s tag with #aphotostudy.  Until next week…

mall fishing

Street Photography Assignment:  Fishing…identifying an interesting background (traffic signs, billboards, leading lines) and create a juxtaposition with a subject who walks into the frame.

The image with the child running as if the mannequin is pointing in the direction he should go is my favorite of the four.  What are your thoughts about “mall fishing”?

weekly photo challenge: juxtaposition

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juxtaposition…a method frequently used by surrealist artist…because a photograph collapses three dimension into two, a photograph is always a juxtaposition of some sort.

The reason juxtaposition is conventionally regarded as a liability is because it occurs whether or not the photographer is aware of it. For example, when a photographer fails to notice the back ground when taking a portrait, the subject may end up looking as though there is a tree coming out of its head. Conscious application of the technique of juxtaposition, however, requires constant awareness of the interaction between background, foreground, and middle ground and a conscious decision to use such collapsing effects to either impart new meaning to a scene or to accentuate its original meaning.*

Visit The Daily Press @ WordPress to view additional  images submitted for this week’s photo challenge: juxtaposition

source:

Tao of Photography

P.L. Gross & S.I. Shapiro