silent sunday

Advertisements

weekly photo challenge: under cloudy skies

Nikon D750 f/5.6 1/400s 300mm 2200 ISO

Nikon D750 f/5.6 1/400s 300mm 1250 ISO

Nikon D750 f/5.6 1/400s 300mm 1250 ISO

Yesterday’s cloudy skies and rain dovetailed nicely with Traveling at Wits End’s invitation to photograph under cloudy skies

soseki

Nikon D750 f/7.1 1/400s 85mm 140 ISO

Over the wintry

forest, winds howl in rage

with no leaves to blow ~Soseki Natsume

Natsume Soseki (夏目 漱石 in Japanese; February 9, 1867 – December 9, 1916) was the pen name of Natsume Kinnosuke (夏目金之助), one of the foremost Japanese novelists of the Meiji Era.  Soseki, along with Mori Ogai,  is considered one of the two greatest early modern Japanese writers… The alienation of modern humanity, the search for morality and the difficulty of communication were common themes throughout Soseki’s works. From 1984 until 2004, his portrait appeared on the front of the Japanese 1,000-yen note.

Natsume Kinnosuke was born on February 9, 1867, just one year and a half before the start of the Meiji Reformation, in Edo (modern-day Tokyo). His father, Naokatsu, was the hereditary chief of a small town in Edo. When Natsume was born, Naokatsu was fifty years old, his wife Chie was forty-one, and they had five sons and three daughters. Bearing a child late in life, in those days, was regarded as “the shame of woman.” Chie was ashamed to have a child at her advanced age and, as the last baby of many children, Natsume was placed in a foster home at either a second-hand store or a vegetable shop. Kinnosuke’s elder sister found that he was being kept in the shop until late at night (the shop was probably kept open until midnight), confined in a bamboo cage beside the merchandise. Unable to look on in silence any longer, she brought him home.

When Natsume Kinnosuke was one year old, his parents foisted him off again, this time on a former household servant, Shiobara Masanosuke, and his wife. Natsume began his life as an unwanted child. Although he was brought up indulgently until the age of nine, Shiobara Masanosuke and his wife eventually separated and Natsume was returned to his family home. He was welcomed by his mother, but his father regarded him as a nuisance. When he was fourteen, his mother died. The solitude and defiance that he exhibited later in life came not only from his character, but from the surroundings in which he grew up. After his return home, he was required to call his parents “grandparents.” …

cited: http://www.newworldencyclopedia.org/entry/Natsume_Soseki

2018 photography review, december

Olden memories

so brisk

in their fading,

this moment soon to follow —

shadows on the snow ~bckofford

within the present is the past and the future

Thank you for joining me as I wandered through the photographs posted on this blog throughout 2018 and shared the contemplations that accompanied them.

May each of your steps throughout the new year be accompanied with love-filled companions and joyous moments.

weekly photo challenge: the journey home

The last part of the Diary [Sarashina Diary] is concerned chiefly with accounts of pilgrimages and dreams. She married, who and when is not recorded, and bore children. Her husband dies, and with his death the spring of her life seems to have run down. Her last entry is very sad: “My people went to live elsewhere and I lived alone in my solitary home.” So we leave her “a beautiful, shy spirit whose life had known much sorrow.” ~Diaries of Court Ladies of Old Japan

Nikon D750   f/5.6  1/400s   125mm   4000 ISO

Image and excerpt from Diaries of Court Ladies of Old Japan submitted in response to Traveling at Wits End’s photo challenge: the journey home.