cffc: leading lines

leading lines

Nikon D750 f/7.1 1/1250s 85mm 800 ISO

join the fun

Image submitted in response to Cee’s photo challenge: leading lines

opinion

I am puzzled about how life simply seems to go on while there are so many ongoing wars and wars within wars. I ask, “How do I go on with my daily life blinded to the manifestation of so much suffering…so much destruction of lives, hopes, dreams and procreation of anger, trauma, and rejected/negated refugees?” “Do I have an unconscious belief in an impenetrable barrier between those in unknown parts of world and I?” “Does identifying people as those and them serve to further eradicate them from humanity…to lessen a moral imperative?” “What kind of world would it be if humans were forced to silently pause during the duration of pounding missiles? or maybe…during frozen moments of time between bombings?”

multi-tasking: cell gazing while protesting

no war

“The US and Britain have been making war in the Middle East for 18 years without pause. The “conflicts of 9/11” must rank among the cruelest and most costly and senseless of the post-imperial age, says Simon Jenkins.

Unknowable thousands of civilians have died, and billions of pounds’ worth of property been destroyed. Christianity has been all but wiped out in the region, and some the finest cities in the ancient world have been bombed flat. No audit has been made of this. The opportunity cost must be unthinkable. What diseases might have been eradicated, what climate crisis relieved. “

cited: the guardian, 11/15/19

I grew up…

I grew up in the time of war…The wounds of war in me are still not healed

Thich Nhat Hanh, The Heart of Buddha’s Teaching, pp. 4-5
wounds of war…persist

My youth

an unripe plum

Your teeth have left their marks on it.

The tooth marks still vibrate.

I remember always,

remember always.

Since I learned how to love you,

the door of my soul has been left wide open

to the winds of the four directions.

Reality calls for a change.

The fruit of awareness is already ripe,

and the door can never be closed again.

Fire consumes this century,

and mountains and forests bear its mark.

The wind howls across my ears,

while the whole sky shakes violently in the snowstorm.

Winter’s wounds lie still,

Missing the frozen blade,

Restless, tossing and turning

in agony all night.

~Thich Nhat Hanh (cited: Thich Nhat Hanh, The Heart of the Buddha’s Teaching)

dogwood photography challenge – composition: viewpoint

Week 44 Composition: Viewpoint (Changing your viewpoint creates a different perspective and is often used by photographers to create interest. Shoot this week from the viewpoint of another person.)

United Nations notified of the U.S. intent to withdraw from the Paris climate agreement

A formal withdrawal is reversible, however, if a future administration chooses to rejoin the Paris Agreement and pick up where the U.S. left off with its emissions reduction promises.

NPR, All Things Considered, Rebecca Hersher, November 4, 2019

A 3-minute listen U.S. Formally Begins to Leave The Paris Climate Agreement, NPR Rebecca Hersher, November 4, 2019

Image submitted in response to Dogwood Photography’s annual 52-week photography challenge.

dogwood photography’s composition: color theory

Week 41 Composition: Color Theory (Color Theory is a huge part of composition that most photographers don’t explore. So it is time to explore it. Use Color Grading to create an image that looks like it is a still from a movie.)

Nikon D750 f/7.1 1/400s 85mm 900 ISO

Image submitted in response to Dogwood Photography’s annual 52-week photography challenge.

dogwood photography’s photo challenge: composition – rule of odds

Week 38 Composition: Rule of Odds (The rule of odds is easy enough to understand and employ. So use the rule of odds in an Urbanscape/Architecture photo.)

Nikon D750 f/3.5 1/500s 28mm

Image submitted in response to Dogwood Photography’s annual 52-week photography challenge.