winter’s ice

in the mosquito’s

buzz, a thread of thoughts

begins in my mind ~Takeshita Shizunojo 1887-1951 (M Ueda, Far Beyond the Field)

horsetooth reservoir… Nikon D750 f/4.5 1/200s 85mm 100 ISO
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silent sunday

Sony NEX-5N f/6.3 1/2500s 210mm 100 ISO

As the winter winds travel across Wyoming’s landscape

the swirling snow releases its memories of you, lost …

somewhere… on Casper Mountain.

Its frigid touch awakens me to your

aloneness – in that wilderness of blinding snow

cries – deafened by the river of winds,

calling – out in hope for

a human form – to emerge out of the whiteness

the warmth – of a human hand

the sound – of a voice, comforting you

accompanying – you home.

As I become hostage to this winter’s swirling thoughts

the river winds tear into my soul

releasing tears arising from

the darkness of grief’s aloneness, seeking

a knowing to emerge out of ignorance’s darkness

you found – peace

within – a loving presence

embracing – you

accompanying – you home.

Lawrence John Anderson, January 11, 1957 – January 20, 1980

soseki

Nikon D750 f/7.1 1/400s 85mm 140 ISO

Over the wintry

forest, winds howl in rage

with no leaves to blow ~Soseki Natsume

Natsume Soseki (夏目 漱石 in Japanese; February 9, 1867 – December 9, 1916) was the pen name of Natsume Kinnosuke (夏目金之助), one of the foremost Japanese novelists of the Meiji Era.  Soseki, along with Mori Ogai,  is considered one of the two greatest early modern Japanese writers… The alienation of modern humanity, the search for morality and the difficulty of communication were common themes throughout Soseki’s works. From 1984 until 2004, his portrait appeared on the front of the Japanese 1,000-yen note.

Natsume Kinnosuke was born on February 9, 1867, just one year and a half before the start of the Meiji Reformation, in Edo (modern-day Tokyo). His father, Naokatsu, was the hereditary chief of a small town in Edo. When Natsume was born, Naokatsu was fifty years old, his wife Chie was forty-one, and they had five sons and three daughters. Bearing a child late in life, in those days, was regarded as “the shame of woman.” Chie was ashamed to have a child at her advanced age and, as the last baby of many children, Natsume was placed in a foster home at either a second-hand store or a vegetable shop. Kinnosuke’s elder sister found that he was being kept in the shop until late at night (the shop was probably kept open until midnight), confined in a bamboo cage beside the merchandise. Unable to look on in silence any longer, she brought him home.

When Natsume Kinnosuke was one year old, his parents foisted him off again, this time on a former household servant, Shiobara Masanosuke, and his wife. Natsume began his life as an unwanted child. Although he was brought up indulgently until the age of nine, Shiobara Masanosuke and his wife eventually separated and Natsume was returned to his family home. He was welcomed by his mother, but his father regarded him as a nuisance. When he was fourteen, his mother died. The solitude and defiance that he exhibited later in life came not only from his character, but from the surroundings in which he grew up. After his return home, he was required to call his parents “grandparents.” …

cited: http://www.newworldencyclopedia.org/entry/Natsume_Soseki

lens-artists challenge: seasonal

In the aging house,

crookedness of the door being straightened,

a spring-like winter day.

~Buson (Y Sawa & E Shiffert, Haiku Master Buson)


Walking on, walking on,

things wondered about — springtime,

where has it gone on too?

~Buson (Y Sawa & E Shiffert, Haiku Master Buson)

On the shortest path,

stepping through water to cross

in the summer rains.

~Buson (Y Sawa & E Shiffert, Haiku Master Buson)

No trail to follow

where the teacher has wandered off —

the end of autumn

~Buson (Y Sawa & E Shiffert, Haiku Master Buson)

and then… Vivaldi’s Four Seasons

An artistic journey through the seasons….a lens-artist’s challenge offered by Tina.